Resilience (side view)
       
     
Keep Clear
       
     
Keep Clear (side view)
       
     
Flexibility (front view)
       
     
Flexibility (back view)
       
     
One Night in June
       
     
Tried and Found Wanting
       
     
Tried and Found Wanting
       
     
Mind
       
     
Mind (side detail)
       
     
Folly for the Future
       
     
Proving Futile II
       
     
Proving Futile I
       
     
267 in Pink
       
     
There are inherent contradictions in most charitable gestures
       
     
There are inherent contradictions in most charitable gestures
       
     
Underbelly (altar piece)
       
     
The Wherewithal
       
     
The Wherewithal
       
     
In Situ
       
     
In Situ
       
     
In Situ
       
     
Radiate Empathy, collaboration between Natasha Sweeten and Kelly Chorpening
       
     
Reversal
       
     
700 years suspended
       
     
Resilience (side view)
       
     
Resilience (side view)

Acrylic on paper mounted to steel,

77 x 65 x 64 cm, 2019.

Keep Clear
       
     
Keep Clear

pencil and pastel on paper mounted to steel, 62 x 91 x 22 cm, 2020.

Keep Clear (side view)
       
     
Keep Clear (side view)
Flexibility (front view)
       
     
Flexibility (front view)
Flexibility (back view)
       
     
Flexibility (back view)

Pencil and acrylic on paper mounted to steel,

67 x 80 x 67 cm, 2019.

One Night in June
       
     
One Night in June

Graphite and pastel on paper mounted to rolled steel, 2017.

Tried and Found Wanting
       
     
Tried and Found Wanting

Pencil and pastel on paper mounted to steel with oak batten, 2016. Photograph: Thomas Kitchin

Tried and Found Wanting
       
     
Tried and Found Wanting

Pencil and pastel on paper mounted to steel with oak batten, 2016. Photograph: Thomas Kitchin

Mind
       
     
Mind

pencil and pastel on paper mounted to curved steel

62 x 91 x 22 cm

2021

Mind (side detail)
       
     
Mind (side detail)
Folly for the Future
       
     
Folly for the Future

Pencil and pastel on paper mounted to steel, 2016. Photograph: Thomas Kitchin.

Proving Futile II
       
     
Proving Futile II

Pencil and pastel on paper mounted to steel, 2016. Photograph: Thomas Kitchin.

Proving Futile I
       
     
Proving Futile I

Pencil and pastel on paper mounted to steel, 2016. Photograph: Thomas Kitchin.

267 in Pink
       
     
267 in Pink

Pencil and pastel on paper mounted to steel with oak batten, 2016. Photograph: Thomas Kitchin.

There are inherent contradictions in most charitable gestures
       
     
There are inherent contradictions in most charitable gestures

(right)

Marker and pencil on paper, mounted on rolled steel, 2015. Photograph: Peter Abrahams

There are inherent contradictions in most charitable gestures
       
     
There are inherent contradictions in most charitable gestures

(left)

Marker and pencil on paper, mounted to steel, 2015.

Two works made specifically for the exhibition Between Thought and Space opposite each other on the left and right side of Dilston Grove, Southwark Park.

Underbelly (altar piece)
       
     
Underbelly (altar piece)

Pencil and pastel on paper mounted to steel with oak batten, 2015.

The Wherewithal
       
     
The Wherewithal

Installation view from residency at Punk & Sheep, Canary Wharf, 2014

The Wherewithal
       
     
The Wherewithal

detail, in progress

In Situ
       
     
In Situ

Installation for ‘In – and outside – writing’, exhibition at Voorkamer, Lier, Belgium, 2011. Photograph: Paul Verstreken.

In Situ
       
     
In Situ

Installation for ‘In – and outside – writing’, exhibition at Voorkamer, Lier, Belgium, 2011. Photograph: Paul Verstreken.

In Situ
       
     
In Situ

Installation for ‘In – and outside – writing’, exhibition at Voorkamer, Lier, Belgium, 2011. Photograph: Paul Verstreken.

Radiate Empathy, collaboration between Natasha Sweeten and Kelly Chorpening
       
     
Radiate Empathy, collaboration between Natasha Sweeten and Kelly Chorpening

A flag created by Natasha Sweeten and Kelly Chorpening, flown at Grand Flag, 179 Grand Street near Bedford Avenue, Brooklyn, 25 June - 1 August 2021.

Photo Courtesy of James Esber

Reversal
       
     
Reversal

Pencil and pastel on paper, 38 x 28 cm, 2015.

700 years suspended
       
     
700 years suspended

pencil on paper and cardboard with string, 2015.